Diana’s beloved fashion designer dies

September 27th, 2010

Fashion designer Catherine Walker, a pet of Diana, Princess of Wales, has died at the age of 65, her family said.

She fought a long battle with cancer previous to passing away at a hospital near her Sussex home on Thursday.

Born in France, Walker made a name for herself in Britain as one of the country’s foremost couture designers.

She provided Diana with numerous of her most iconic outfits, having first worked with her three months following her wedding to Prince Charles in 1981. The Princess was buried in a black dress designed by Walker that she had bought in the weeks important up to her death.

In a statement, her family said: Catherine Walker conquer young widowhood and fought cancer twice with enduring bravery.

She built one of the most victorious British couture brands and at the same time increased a loving family. Catherine Walker has dressed many of the world’s most gorgeous women.

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D&G spring/summer Milan Fashion Week 2011

September 24th, 2010

D&G collection discover its gardening roots at Milan Fashion Week for spring/summer 2011.

Gertrude Jekyll would have thrown down her pruning shears in horror; and Alan Titchmarsh would almost certainly be doubled up with laughter in the herbaceous border, but the Italian fashion duo of Dolce & Gabbana have wagered a claim to the English country garden as inspiration for their latest collection.

Gardening – and all the suitable tools and paraphernalia that goes with it – was the theme of the two designers’ younger, dispersal line, called D&G, which was shown at Milan Fashion Week.

Most keen British gardeners pull on their oldest T-shirts and trousers as they head out for a day of dead-heading and digging.

The light-hearted fantasy obtains in hydrangea-printed shorts-suits, floral aprons over gingham bloomers, and linen dungarees with freesia-print bib-fronts. T-shirts were printed with images of “Snow White” in a garden, surrounded not by garden gnomes, but a few of the Seven Dwarves.

Completely suited for a garden party were a host of frilled and flounced chiffon dresses, printed with a combine of violets, roses and mimosa, worn with matching, floral-print, basket-weave, platform sandals, and bandanas.

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Catwalk show at London Fashion Week brought memories back to existence

September 23rd, 2010

Long ago, in a far-off land called the 1970s, the fashion spreads in magazines for young teens utilized to be drawn, not photographed. I loved those drawings, of tall, slender, elegant creatures, all with precisely the same faces, figures and hair, in absolutely fitting, perfectly draping clothes.

At the time, I thought extends were drawn because the women they depicted were too unfeasibly idealized to exist in real life. Last Saturday, the vastly rated stylist Katie Grand recreated those 70s drawings precisely, using real women, and real clothes, for London Fashion Week’s Topshop Unique catwalk show. I’d forgotten the drawings until I saw them brought to life, similar to weird magic, like amazing out of the Nutcracker.

Now I appreciate that the 70s presentation of teenage fashion was now a much cheaper and less labour-intensive way of doing things, back when fashion wasn’t fairly the huge British industry it is now.

In 1970, Grand could incredibly well have been drawing clothes manufactured in Britain. In 2010, she commands a massive budget and loads of staff, to show clothes manufactured abroad to an audience of writers and photographers employed to clarify them. Forty years of profound economic shift, all summarized on one catwalk.

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